Tag: love

  • Kingdoms of the Radio: Teacake & Lady Marmalade [ficção]

    UKIAH, CALIFORNIA  |  1995

    After a restless night back home, The Kid cursed the alarm clock radio that had unkindly begun blasting out one of the National Loaf’s lesser known hits. To Lucious Cole’s perpetual entreating that the target of his affection, “Come and lay it all down,” The Kid resolved to do the opposite. Much to his still-fuzzy delight, the smell of fresh-brewed coffee was wafting like a scent plume from the kitchen, baiting him in.

    “Good morning, sunshine,” Joaninha sang, apparently well under the influence of her Goan-style brew that inherited preparation methods from South India. Having squeezed every drop out of a slow drip through Arabica and Robusta grounds and chicory, she added the concoction to a cup of frothed milk, before sugaring the living shit out of it.

    “Sera,” The Kid rubbed the sleep out of his eyes as he walked blindly toward the heavenly smell. “When did you get here?”

    “I was worried about you, so I brought bagels,” Joaninha handed The Kid a steaming mug, “and, of course, kaapi.”

    “Bless you,” The Kid gratefully took the offering in both hands. “I slept like shit.”

    “The first day of filming didn’t go so well?” Joaninha looked over the rim of her own cup, her dark chocolate brown eyes searching The Kid’s face for a clue.

    “Not exactly,” he started, “I mean, the interview was going along all right, then, out of nowhere, this guy Charlie Perigo blurts out that he didn’t know who my parents were.”

    That’s not suspicious,” Joaninha adjudged. “He totally knows.”

    “You think so? That wasn’t even what we were talking about…”

    “Querido, I’m telling you, he knows,” Joaninha put down her cup and captured The Kid’s gaze, something she found ridiculously easy to do, but still found handy from time-to-time. “The question is, do you need to know? Is that what this is all about?”

    The Kid pondered the question, letting the strong, sweet brew slowly coax him back to life. “Maybe he’s right,” he finally admitted. “I mean, when I was younger, I really wanted to know. I wanted to confront them and ask why they gave me up; but as I grew up, I sort of pushed all that aside. I convinced myself that it didn’t matter. I became more interested in the bigger story.”

    Joaninha merely offered a raised eyebrow, a look that she had long learned was going to cut through whatever tale her partner was spinning out, even if only for himself.

    “Not the eyebrow! Come on, Sera,” The Kid folded. “Of course, I had it in the back of my mind that I might find out who my parents were as part of the story, but that’s not what’s driving this.”

    “All right. Just so you know, it is totally understandable if you were…”

    “Serafina!”

    “Fair enough,” Joaninha let him off the hook. “Are you driving back to Point Arena today?”

    “I’m going to finish filming Mr. Perigo and then he wants to introduce me to someone.”

    “Mind if I tag along? I’ve got the day off. Mom closed the store since Dad just had hand surgery and is possibly the worst patient ever.”

    “Hand surgery?” The Kid put down his coffee. “What did he do now?”

    “Don’t ask. The worst part is Mom nearly let him bleed out before driving him over to Ukiah Valley. His shop looked like a crime scene.”

    “Jesus. Of course you can come. I’d love the company. It’s a pretty drive, but—with so much to do—it’s easy to let your mind wander. I would hate to start the day by hitting a deer.”

    “It’s settled, then,” Joaninha declared, “I’m driving.”

    Two hours, 50 miles, and an infinite number of trees later, Joaninha finally reached Hwy 1 and turned south toward the seaside town. As winding as the road had been, she liked driving The Kid’s Saturn and jumped at the chance to leave her tired Honda at his place. Of course, that meant at the end of the day she was going to have to make the full trip back to Ukiah, and given how late it would probably be by then, stay there. Oh, darn, she thought. The two had talked about moving in together, but The Kid’s project had recently sucked the air out of that conversation.

    The blue coupe had just skirted the town’s outer limits when a police car pulled in behind them and lit up its rooftop gumball machine. The Kid turned in the passenger seat and recognized the short, salt-and-pepper haircut, and sun-, salt-, and wind-leathered face.

    “Shit,” he said. “Were we speeding?”

    “Not a bit.” Joaninha appreciated the difference between ‘we’ and ‘were you speeding?’ and silently congratulated once again herself on finding a diamond in the rough. It’s the little things, she thought as she pulled over and rolled down the driver’s side window.

    Chief Burton sauntered up to the open window, once again unworried about being taken out by a southbound driver.

    “Teacake,” he said, leaning down to look past Joaninha, “I didn’t expect you back in town so soon. Who does that make you, miss, Lady Marmalade?”

    “Officer?” Joaninha asked, utterly confused about the turn in conversation.

    “I have some friendly advice for young Michael Moore here,” Burton got down to business.

    “Are you often in the business of pulling over drivers to dispense filmmaking tips?” The Kid asked, trying and failing to suppress a rising anger.

    “I could pull you over for a broken taillight,” Burton suggested, “but I think you’d rather hear what I have to say.”

    “Are you going to ask for my license?” Joaninha asked, beginning to feel left out of the conversation.

    “Do you have one?” Burton asked.

    “Of course,” Joaninha began to reach for her wallet in the tiny center console in front of the shifter.

    “Then, no,” Burton waved the idea away. “Listen, Teacake…”

    “Why do keep calling him that?”

    “Listen, I can understand your interest in the rich history of our little town,” Burton launched into his monologue. “There is something you need to know about our friend, Mr. Perigo, before you cause yourself, and more importantly, me, some problems.”

    “What would that be, officer?” The Kid’s interest was piqued.

    “That’s Chief Burton, remember that name, Teacake. Charlie… Mr. Perigo served his country in Vietnam, and for all intents and purposes, came through it pretty well. There are some poor fellows his age, that weren’t quite as lucky. That said, there are certain things that Mr. Perigo really doesn’t need to be reminded of.”

    “I think I understand,” The Kid said, trying to think if might have said anything that could have upset Charlie.

    “I don’t know that you do, but it’s not Mr. Perigo that really concerns me.”

    “All right,” The Kid turned in his seat to better confront the man.

    “As you dig around, Teacake, just be mindful of the rocks you are kicking over. I would take it as a personal favor if certain individuals, who have gone to great lengths to disappear from this story, stay disappeared.” Burton handed The Kid his card. “Remember that name.”

    “Are we free to go, Chief Burton?” Joaninha asked.

    “You are free to do whatever you please, Lady Marmalade,” Burton chuckled at his own perceived cleverness. “Just watch out for those rocks, Teacake, there may be snakes under some of them. You two have a nice day, now.”

    The Kid and Joaninha sat in silence as Burton walked back to his vehicle and drove off.

    “What the hell was that?” Joaninha finally asked. “And why does he call you Teacake?”

    “I have no idea,” The Kid said, his mind racing, “but I aim to find out.”

  • Post #100—Looking Forward


    Well, the ol’ materfamilias has said a lot of goofy shit since… well, since I’ve known her, but I’m going to take this little piece to heart from now on. I think I must have been breaking her balls over Mother’s Day or something, and I prodded, “When is my day? Just because we decided not to have kids, there’s no day for me?” Of course, I knew full well that everyday was up for grabs without carpet critters running underfoot, but I could not pass up an opportunity to give her the business. She looked at me with a moment of strange clarity and said, “You have a whole month.”

    I guess I do have a month, or, at least, I’m claiming it. July is my time to shine, and shine I fucking well planned to do. If it killed me. Ever since I was a kid, the celebratory nature of July was bracketed by the Fourth and—at the tail end—my birthday, which just happens to coincide, more often than not, with the local Portuguese Festa. One of my folks favorite jokes was to tell me that they were taking me out to lunch for my birthday and, invariably we would find ourselves down at the Hall, sweating in the almost-August heat with a several hundred other souls waiting for sopas.

    This July hit different, as the kids say. Besides the fact that it was the coolest July in, if not my lifetime, at least half that long, it was oddly… subdued. Maybe it was the loss of Ozzy or the increasingly unstable political situation, but the last month felt like a demarkation of sorts and now we are all waiting for what comes next.

    I would say, “watch this space” for insightful commentary on the ongoing decline of Western civilization, but, in the immortal words of Sweet Brown, “Ain’t nobody got time for that.” In actuality, this space may be end up being part of my escape from all that noise. I am embarking on the long journey of writing another novel, and plan on posting bits and pieces as I go.

    Which brings me to a question that I have been thinking about a lot this last month: What is the point of art when the whole world feels like it is about to burst into flames?

    Talk amongst yourselves.

  • Rain on the River: New and Selected Poems and Short Prose—Jim Dodge

    Once and a while, if you’re lucky, you just might run into someone who seems like they have it all figured out; someone who by virtue of example shows you another way of looking at the world and your place in it.

    If you casually told them that you were tempted to follow his or her example (and that person wasn’t driven by ego or fanaticism) that person might look at you like you were crazy, then maybe laugh, and try to talk you out of it. That person might even explain to you why you shouldn’t write in second person narrative. For me that person was Jim Dodge.

    I had the extreme pleasure of taking Jim’s creative writing class at Humboldt State back in the early ’90s, and in retrospect, I should have dropped all my other classes and just hung out with him all day. Oh well, live and learn—which is also the message of much of Dodge’s output: any one of his three novels or the flurry of chapbooks and loose poems that follow in his literary wake might teach you that.

    Rain on the River collects Dodge’s short-form musings from the late ’80s through when it was published in 2002, and during which time, Dodge married his long-time companion and became a father. Many of the later poems deal with the incredible sense of amazement he seemed to be dialed into at that point in his life.

    Dodge’s poetry combines the wonder of some of Richard Brautigan’s more innocent works and the natural familiarity of Gary Snyder, a fellow traveler who Dodge attributes with changing the direction of his life. Dodge, a Humboldt fisheries major at the time, went multi-disciplinarian after reading Snyder’s Hay for the Horses. Dodge’s mixture of Zen awareness and working class perception mirrors Snyder’s own sensibilities.

    In Fishing Devil’s Hole at the Peak of Spring, Dodge relates an archetypical steep downhill battle through briar and bramble (and occasional unexpected flower-strewn meadow) to reach a secret fishing hole, only to lose his fish and end up ass-over-teakettle in the freezing water to which he exclaims:

    “Yarrrrrggggggggaaaaaahhhhhhhhhhh!”
    Yes. Yes by everything holy, yes!
    Even better.

    He writes at his most beatific in a bone-deep closing triptych/manifesto, Holy Shit.

    I believe every atom of creation
    is indelibly printed with divinity.
    I believe in the warm peach
    rolled in the palm of my hand.
    I believe God plays saxophone
    and the Holy Ghost loves to dance.

    Grove Press

    Also by this author:
    Always Something

  • Shit From an Old Notebook: One Man’s Manifesto, #1–36

    About 10 years ago I endeavored to jot what, if anything, I had learned in almost a half-century of not dying. Looking back, I think these “life squeezin’s” have not only held up, but are now cask-conditioned for your edification and/or pleasure.

    Contents may have settled. Objects are much, much closer than they appear. Personal application may cause serious rash and/or burning. If swelling, discoloration, or bleeding occurs, put down the list and notify your physician.

    #1 There is a line of energy from the center of the earth that travels through you and out to the stars. Stand up straight.

    #2 Do not eat anything out of a vending machine. Ever.

    #3 Original sin is a racket. Don’t take blame (or credit) for anything you are not responsible for. This makes you a dupe (or an asshole).

    #4 Everything in moderation. Except meth—that’s just a bad idea all around.

    #5 Sugar is poison. Use sparingly.

    #6 Whisky, despite the name—water of life—is also bad for you. Slightly less moderation, however, is called for.

    #7 Breathe.

    #8 Only travel with folks who think it’s funny when you fart yourself awake.

    #9 You aren’t drinking enough water, or Scotch, for that matter (see #6).

    #10 Know how to drive stick.

    #11 Do not blurt; think before you open your mouth. No one is called an idiot for carefully considering a well-measured response.

    #12 Declarations of love (or friendship, or solidarity), however, should not be postponed. Life is short.

    #13 Things that should never be lent out: guns, knives, and guitars… actually, anything that can kill or maim if used correctly.

    #14 Don’t curse so much, God damn it! What the fuck is wrong with you?

    #15 Be kind to others—even if they’re rude pricks. This will either show the error of their thinking or get them to drop their guard so you can punch them in the neck.

    #16 Admit when you are wrong. Eat crow, it will not kill you (although it could use some hot sauce).

    #17 Always carry a bottle of hot sauce.

    #18 Don’t subscribe to negativity. Bear witness to others’ pain but don’t make it your own, and—for fuck’s sake—don’t spread it around.

    #19 If you need to be somewhere out of your range at a particular time, bring a map. Don’t rely on technology or the kindness of others; they’re both fine but flawed.

    #20 If you have time to kill—get lost.

    #21 Stairs are nature’s Stairmaster. Use them whenever possible.

    #22 Always carry some cash, hidden even from yourself. Something between $20 and $50. Although nothing bigger than a $20, you won’t be able to break it when you need to.

    #23 Choose a day—Sunday’s a good one—and every week get rid of 10 things. Give them away, recycle them, set them on fire; it doesn’t matter. Live like the plane is going down. It’s time to jettison cargo.

    #24 A grown man needs a muffin like he needs a heart attack. Have some fruit you fat fuck.

    #25 Don’t be so hard on yourself, have the muffin once in a while.

    #26 Sweatpants are for sweating. Wearing them away from home for any other reason sends the signal that you’ve completely given up or are ill. Go change.

    #27 Coffee is magic.

    #28 Never trust a man who wears shoes with no socks, unless in the tropics, then avoid sock-wearers at all cost.

    #29 If asked to leave a job, do not burn it down on the way out; all parties may become desperate enough to revisit this relationship.

    #30 Do not, under any circumstances, return. This rule applies to women and bands* as well, only more so.

    #31 Pretend that you belong somewhere, and people will usually assume you do.

    #32 Never. Call. The. Cops. There is no bad situation that cannot be made worse by the addition of the authorities.

    #33 Stay limber. You will be glad you did when the cops show up and/or people finally realize that you do not belong.

    #34 For fuck’s sake, keep your hands off of your fucking face! Stroking your chin in a pantomime of deep consideration is, in reality, anything but. This is how you get sick all the time. (Wow, this one really played out.)

    #35 I was a smart kid but not very wise. Now, I’m wise as hell but still do things that aren’t very smart. Endeavor to be both and see where you end up.

    #36 There is a reflection of the divine in even the biggest ass hat you’ll ever meet. It is up to you to recognize it.

    *Unless you’re Ozzy, but you’re not.