Tag: San Francisco

  • Kingdoms of the Radio: Down on the Mission [ficção]

    MEMORANDUM FOR: THE RECORD
    SUBJECT: Project MKULTRA, Subproject 3

    1. This project will involve the realistic testing of certain research and development items of interest to 
Chemical Division/Technical Services Staff.
    2. During the course of research and development, it is sometimes found that certain very necessary experiments and tests are not suited to ordinary laboratory conditions. At the same time it would be 
very difficult, if not impossible, to conduct these as operational field tests. This project is designed to provide discrete dedicated facilities to fill this intermediate requirement.
    3. This project will be conducted by REDACTED. Certain support activities will be provided by CD/TSS, APD/TSS, and when necessary, local law enforcement personnel.
    4. The total cost of this project for a period of one year will not exceed REDACTED.


    REDACTED
    CD/TSS

    APPROVED:
    REDACTED
    Chief, CD/TSS

    APPROVED FOR OBLIGATION OF FUNDS:
    REDACTED
    Research Director

    Date: 11 November, 1971

    Carol Davidson parked the 1963 Volkswagen Beetle she had been saddled with on Bartlett Street, around the corner from the Agency’s clandestine office on Mission. Driving the drafty German “people’s car” always put her in a foul mood, but she couldn’t be seen cruising around in her own Mercedes-Benz 280S, especially when she was supposed to be a penniless 21-year-old hippie girl. Just the look of satisfaction on her face as she floated by in a luxury leather seat with more springs than a Barcalounger would raise an eyebrow from her supposed cohort.

    Davidson took a moment to look around the regularly busy neighborhood street before using her ID card to unlock the unmarked office door, another anomaly that would be hard to explain to anyone unfamiliar with the new technology.

    As soon as the door closed, sealing off the ubiquitous thrum of the Mission District in full midday bustle, the sound was replaced by another, more abrasive noise: the sound of her angry superior.

    “Davidson,” the orotund voice rattled the framed portrait of Richard Milhous Nixon hanging in the entry hall. “In my office. Now.”

    The woman took a beat to leave her purse at her assigned desk, strategically leaving her weapon behind on the long walk to the Operations Officer’s lair, lest she feel like putting a bullet in his fat head, or one in her own if she had to endure his post-lunch onion breath again.

    As soon as she crossed the threshold into what Urban Wyrzykowski had curated over time from a faceless bureaucratic office into something resembling the burrow of a large animal—which now that she thought of it, was exactly was it was—she was hit with a miasma of stale cigarettes, sour sweat, and… yes, onions.

    “Shut the door behind you,” Wyrzykowski belched.

    “Shut the door?” Davidson protested, giving a performative half-turn back toward the empty office. “Nobody works here but me and you.”

    “The door.”

    “Shit.”

    “Shit is right, Davidson. Would you like to explain how you ended up overdosing a very famous British subject, leading to his apparent suicide?”

    “Oh, that.”

    “Yes, that, goddamn it!” Wyrzykowski’s face empurpled.

    “Well, you see, it was really quite clever,” Davidson jumped into the deep end of the story, figuring that she was drowning either way. “It was simply the old magician’s trick of misdirection. When I blew a giant hit of some pretty good Acapulco Gold into his mouth, I gave him a quick injection of the substance.”

    Wyrzykowski sat silently rubbing his temples as if trying to coax enough blood into leaving his skull so that he might black out and not have to listen to the woman’s story for a moment longer. After a pregnant pause, he opened his desk drawer and removed a orange plastic prescription bottle and began to wrestle with the new child-proof cap.

    “Would you like me to help you with that, chief,” Davidson asked as innocently as she could manage.

    “Would I… ? Fuck!” Wyrzykowski resisted the urge to throw the pills across the room and carefully placed them out of Davidson’s reach. “May I ask you a real question, Agent Davidson?”

    “Shoot.”

    “Would that I could,” the beleaguered senior agent tented his stubby fingers and stared at his single charge. “Are you trying to kill me?”

    “Sir?”

    “I’ll ask you again,” Wyrzykowski straightened in his chair, falling back on the well-worn interrogation skill set that got him into this mess in the first place. “Are you actually trying to kill me?”

    “Not in anyway that anyone would suspect,” Davidson allowed. “Or be able to prove.”

    “I see,” the man eased a bit, now that their relationship was finally coming into focus. “It’s like that.”

    “I would say that is isn’t personal, sir,” Davidson eschewed any hint of remorse, “but, you see, it kind of is.”

    “Agent Davidson, sometimes I can’t tell when you are kidding.”

    “Agent Wyrzykowski,” the woman sighed, “sometimes I can’t tell either. Isn’t that the gig?”

    “About the Brit,” Wyrzykowski changed the topic, at this point not really caring if the crazy broad wanted him gone or not, “is he really dead?”

    “Lucious Cole?”

    Wyrzykowski began to chuckle, realizing that the agent’s plan was probably to make him want to kill himself before their conversation finally found its finish. “The same.”

    “He is safe as houses, as they seem to like to say.”

    “Are you going to enlighten me as to his current whereabouts?”

    “OK,” Davidson rubbed her hands together in misplaced glee, “I know this opportunity just kind of fell in our laps, but I do have a plan.”

    Kingdoms of the Radio: Serafina’s Gift
    Kingdoms of the Radio: Charlie Perigo 1
    Kingdoms of the Radio: Zongo Kumalo 1
    Kingdoms of the Radio: Karoline Rosenda 1
    Kingdoms of the Radio: Zongo Meets The Stick
    Kingdoms of the Radio: Ride a Painted Pony
    Kingdoms of the Radio: Fadeout (Rock Hound Magazine, 1970)
    Kingdoms of the Radio: Tibetan Bells & a Bird from Hell
    Kingdoms of the Radio: Enrique Bravocado 1

    Kingdoms of the Radio: Zongo Khumalo 2
    Kingdoms of the Radio: Karoline Rosenda 2
    Kingdoms of the Radio: Enrique Bravocado 2
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 1)
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 2)
    Kingdoms of the Radio: Charlie Perigo 2
    Kingdoms of the Radio: Zongo Khumalo 3
    Kingdoms of the Radio: Charlie Perigo 3
    Kingdoms of the Radio: Chae Burton 1
    Kingdoms of the Radio: Enrique Bravocado 3
    Kingdoms of the Radio: A Prisoner at the Palace (Pt. 1)
    Kingdoms of the Radio: A Prisoner at the Palace (Pt. 2)

  • Kingdoms of the Radio: A Prisoner at the Palace (Pt. 2) [ficção]

    With Shane’s solid presence gone from the scene, the concrete bunker seemed to close in on the pair left alone for the first time since they left the airport.

    “So…” Rosenda began before being cut off by a recalcitrant Cole.

    “Look,” the fallen star looked down at his bare feet, “I’ve been a right twit, and I’m sorry. For everything.”

    “No, it’s all right,” Rosenda sought to diffuse whatever heartfelt confession was coming her way. If pressed, she actually preferred her musicians to be unrepentant messes. If Cole was going to start blubbering on about how he grew up playing in bomb sites and the like, she may have to pitch him into the lagoon herself. Everybody had their own bombsites to navigate, and it was by living vicariously through free spirits like Cole that made them feel as if there just may be a way out.

    “I can’t do this anymore.”

    “PCP? I think that’s probably a good idea,” Rosenda offered.

    Cole chuckled in spite of being in some sort of obvious torment.

    “No, not PCP, although, come to think of it, that has just made the list. I mean this, all of this. The whole business of fame and art and bullshit.” Cole sat down on an overturned five-gallon bucket and stared at his hands.

    “Come on, Lucious,” Rosenda sought to snap the man out of his funk before she had to slap him. “You’ve got it made. So many people would kill to be in your position. Albert King is opening for you tomorrow night. Albert fucking King!”

    “My position? Do you have any idea what my position costs a person? Did you know I had a wife and a kid?” Cole asked.

    Rosenda was shocked, knowing—and even somewhat admiring—Cole’s roguish rap sheet. “No, I guess I didn’t,” she began.

    “You wouldn’t,” Cole explained. “A beautiful little daughter. It doesn’t fit the profile does it? The thing is, I bought the hype and became this “Lucious Cole’ wanker. The wife packed up their stuff and left one night when I was out doing God knows what. And that was that.”

    “I’m sure that she still cares…”

    “No. That was that,” Cole rued. “I’ve been told by her South London gangster brothers that if I so much as phone, I’m a dead man, and I am predisposed to believe them. Sometimes I wish I was a dead man.”

    “Come on, Lucious!” Rosenda exploded. “Get your act together, man. So your old lady ran off with your kid, do you think that’s the worst story you could hear within a block’s radius of this building? Let alone in this city? Jesus. You have a gift that helps people forget all the shitty things that have happened to them. Maybe just three minutes at a time, maybe for a few hours; but man, that’s magic. Can’t you see that?”

    “How can I help others forget when I can’t even help myself?” Cole answered her indignation with a primal wail. “I didn’t sign up to be their fucking psychiatrist. I certainly didn’t sign up to be anybody’s priest. Why do you think I stumble around this shitty planet high out of my mind? I can’t bear being left to my own thoughts. Do you know what that’s like?”

    “No,” Rosenda conceded, starting to feel a little empathy toward the man she had primarily seen as a cartoon rock star. “I guess I don’t.”

    “God bless you, then,” Cole offered, more than a little jealousy creeping into his voice. “I hope you never learn.”

    He began to sing in a mournful tenor, the sound filling the hollow concrete chamber and reverberating until the air was wholly suffused with his song. “The wind doth blow today, my love, and a few small drops of rain; I never had but one true-love, in cold grave she was lain.”

    “That’s beautiful, Cole,” Rosenda whispered as the last word hung in the air, a catch in her quiet voice. “Is that one of yours?”

    “I wish,” Cole gave a sad snort. “No, love, that song is older than this here fair city.”

    “What’s it called?”

    “The Unquiet Grave.”
     

    The damp cold followed Shane under the colonnade as he returned carrying a bag of ice and a twelve pack of Olympia, which he promptly dropped when he saw Rosenda tied to a wooden chair in the middle of the room. Several bottles shattered when they hit the floor and cold beer seeped out of the carton and began to pool on the fresh concrete.

    “What the fook ’appened?” His secondhand accent surfaced as Shane rushed to untie the woman. “Where the hell’s the English?”

    Rosenda had been crying, and Shane naturally thought that it was either from the non-consensual bondage or the thought of what Avidan was going to say when he found out that his star had flown the coop.

    “Don’t worry, Karoline,” he tried to soothe her, “we’ll get ’im back. They aren’t too many places to hide in this town that I don’t know about.”

    “Forget it, Bear,” she sighed, looking up at him as he worked to undo Cole’s rope work. “He’s gone.”

    Follow the story:
    Kingdoms of the Radio: Serafina’s Gift
    Kingdoms of the Radio: Charlie Perigo 1
    Kingdoms of the Radio: Zongo Kumalo 1
    Kingdoms of the Radio: Karoline Rosenda 1
    Kingdoms of the Radio: Zongo Meets The Stick
    Kingdoms of the Radio: Ride a Painted Pony
    Kingdoms of the Radio: Fadeout (Rock Hound Magazine, 1970)
    Kingdoms of the Radio: Tibetan Bells & a Bird from Hell
    Kingdoms of the Radio: Enrique Bravocado 1

    Kingdoms of the Radio: Zongo Khumalo 2
    Kingdoms of the Radio: Karoline Rosenda 2
    Kingdoms of the Radio: Enrique Bravocado 2
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 1)
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 2)
    Kingdoms of the Radio: Charlie Perigo 2
    Kingdoms of the Radio: Zongo Khumalo 3
    Kingdoms of the Radio: Charlie Perigo 3
    Kingdoms of the Radio: Chae Burton 1
    Kingdoms of the Radio: Enrique Bravocado 3
    Kingdoms of the Radio: A Prisoner at the Palace (Pt. 1)

  • Kingdoms of the Radio: A Prisoner at the Palace (Pt. 1) [ficção]

    A heavy drizzle spattered the Lincoln as it rolled through the damp San Francisco night. Karoline Rosenda was silent and still except for periodically twisting around in her seat to check on their charge. Be OK! Be OK! Echoed over and over in her thoughts like a fire alarm, but she wisely kept it to herself.

    Shane, of course, said nothing. Rosenda knew him to adopt the platitudinous “silent type” affect whenever things got tense, and she had to admit; this was bad. Really fucking bad. If Z found out that she had let her star get dosed and subsequently lobotomized by their driver, both of them were going to be looking for jobs. That’s if the dumb son-of-a-bitch lived through this. If he died on them, they were really fucked.

    It was bad enough that they were cruising around town with a naked and hogtied British national trussed upon the backseat. God forbid if they got pulled over for something. Rosenda breathed a small sigh of relief that they had the Lincoln. This was San Francisco; nobody was going to mess with a Lincoln Continental with an Irish driver. They might as well have diplomatic plates on the car from the borderless nation of Privilege.

    “Wash going on?” A slurred voice from the backseat made Shane and Rosenda jump. “I can’t moove.”

    “Lucious, listen to me,” Rosenda tried to explain. “It was for your own good, you were going to hurt yourself.” She climbed around to face the beleaguered rock star and searched his swelling face for a sign that he understood. Cole, for his part seemed to be taking in this new information and weighing its merit.

    “Oh, all right,” he ultimately conceded. “Can you untie me now?”

    “Sure…”

    “No,” Shane interjected, “we can’t. Not until we get to our safe house. There you can run around like a chicken with your head cut off all you want. In my car, you stay tied.”

    “Oh, all right.”

    The Lincoln moved with the stealth and purpose of a panther north along Scott past Alta Plaza Park toward the Marina.

    “Are we going to hide him at some millionaire’s house?” Rosenda asked as she watched the buildings get fancier and fancier as they got closer to the Bay.

    “Just keep an eye on him and don’t worry about where we’re going,” Shane growled. The Lincoln caught the green light and swung left on Lombard, following the sparse traffic along the curve toward the bridge, before suddenly swerving right onto Lyon. It wasn’t until Shane turned past the newly restored Palace of Fine Arts rotunda and parked behind the science center that one of the Oppenheimer brothers had opened in the old exhibit hall that Rosenda began to guess what his plan might be.

    Designed by local architect Bernard Maybeck, and built for the 1915 Panama-Pacific Exposition, the Neo-classical Palace of Fine Arts framed a picturesque lagoon, complete with swans that slowly floated through their private dream world. The tableau was designed to echo a decaying ruin, and until the last few years, it had done it’s job extremely well; the original wood, plaster, and burlap finally succumbing to the harsh weather arriving from the Pacific.

    The City had just finished rebuilding everything in poured concrete and steel, and Shane, who knew everyone from the contractors to the supervisors, had the keys.

    “Hold tight, I’ll make sure we’re sound,” Shane stepped out of the Lincoln and took off toward the museum. Rosenda watched him go, fully expecting the night to end in the cavernous exhibition building. Shane, however, veered off toward the rotunda before completely disappearing into the fog.

    “Say, sweetheart,” Cole tentatively tried his luck at using his battered charm. “Can’t you loosen this rope a bit? I mean, bloody hell, your friend there is either a cowboy or in to some really kinky shit. I can’t feel my hands.”

    Rosenda thought hard about the possible ramifications of loosening Cole’s bonds, then thought about what Shane might do if he came back and Cole was back on the loose. She quickly realized that he might not do a thing. It was really no skin off his balls if Cole fucked right off and was never heard from again. She, however, did not have that luxury.

    “Look, Lucious, I don’t care what issues you are working through that make you act like a drunken clown juggling lit torches in a lumber yard, but you are not going to burn down my career.”

    Cole was still trying to muster his faculties enough to construct a pithy rejoinder when Shane yanked open the rear suicide door. He reached into the Lincoln and without a word, grabbed Cole by a confluence of knots, which invariably made them all suddenly cinch tighter.

    The rock star yelped as he was hauled out of the car and to his feet. Shane silently took his measure, and deciding that the man before him was probably not going to bolt, produced a large, very sharp knife.

    “All right, I am going to cut you loose. If you bolt, I’ll catch you, and when I do, I’m going to pitch you into the lagoon,” he explained, pointing with the blade toward the murky, freezing pond that reflected the ornate colonnade and rotunda. “We need to get you inside and find you some clothes. Are you onboard, smart guy?”

    Cole, whose core temperature was dropping fast as he stood buck naked in the fog, only nodded his head enthusiastically.

    It was mere minutes before Shane reappeared and ushered the pair toward an open door in one of the larger columns that held up the soaring Greco-Roman dome. A concrete angel impassively watched over the proceedings as he stood off to the side, making sure that Cole wasn’t going to make a break for it. Once inside, he shut the door behind them, throwing the space into total darkness.

    “Don’t move,” he warned. “There’s a lot of construction tools laying about, and I wouldn’t want either of you to break any of them.” With that, the pair could hear his retreating footfalls moving away from them.

    “How the hell does he know where he’s going?” Cole asked in genuine wonder.

    “Don’t ask me,” Rosenda shrugged in the void. “Maybe he’s a fucking leprechaun.” That garnered a snort from Cole somewhere to her right, which was as close as she could come to seeing in the dark.

    With the sound of a powerful electrical contact being thrown in the distance, a row of flood lamps suddenly bathed the narrow 60-foot-tall room in blinding light.

    Cole, whose retinas had just retracted to the back of his dry skull, recoiled and looked for someplace to hide as if he were a giant cockroach. He didn’t, or couldn’t, see Shane step out of another door across the room carrying a paint-splattered pair of coveralls which he threw to Cole without a word as he approached, hitting him square in the chest.

    “Put those on,” he instructed. “We’re tired of looking at your bony ass.”

    Rosenda, who to that point had been too freaked out by the situation to process that she was basically alone with a musician infamous for his sexual proclivities and prowess, only nodded her head in slight disappointment.

    “Look, Cole, I’m sorry I had to clock you, but I’m sure you’d have rather stayed out of the county psych lockup, and there was no way to reason with you.”

    “It’s all right, mate,” the Englishman acquiesced. “I would have done the same for you.”

    Shane considered the slight musician doing his best to knock him out and laughed despite himself.

    “That shot was ace,” Cole asked probing his outraged face with his long fingers made for playing guitar. “Is there anywhere around here to get some ice? I’d hate to do the gig tomorrow night looking like I caught the worst of a rugby scrum.”

    Shane thought about it for a moment and ventured he could trust Rosenda to babysit while he popped over to the liquor store on Chestnut. Besides, it was her ass if the fool went AWOL. He could go for a cold one himself.

    “I’ll be right back,” Shane said, surveying the scene as someone coming in off the street might. “If anyone comes by—they shouldn’t, but if they do—you two work for Shamrock Construction. Mick Jigger here, is a painter, obviously, and you…”

    Rosenda lifted one carefully sculpted eyebrow, curious to how Shane saw her fitting into his alibi.

    “You figure it out.” With that, he left the way they came in and disappeared into the fog.

    Follow the story:
    Kingdoms of the Radio: Serafina’s Gift
    Kingdoms of the Radio: Charlie Perigo 1
    Kingdoms of the Radio: Zongo Kumalo 1
    Kingdoms of the Radio: Karoline Rosenda 1
    Kingdoms of the Radio: Zongo Meets The Stick
    Kingdoms of the Radio: Ride a Painted Pony
    Kingdoms of the Radio: Fadeout (Rock Hound Magazine, 1970)
    Kingdoms of the Radio: Tibetan Bells & a Bird from Hell
    Kingdoms of the Radio: Enrique Bravocado 1

    Kingdoms of the Radio: Zongo Khumalo 2
    Kingdoms of the Radio: Karoline Rosenda 2
    Kingdoms of the Radio: Enrique Bravocado 2
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 1)
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 2)
    Kingdoms of the Radio: Charlie Perigo 2
    Kingdoms of the Radio: Zongo Khumalo 3
    Kingdoms of the Radio: Charlie Perigo 3
    Kingdoms of the Radio: Chae Burton 1
    Kingdoms of the Radio: Enrique Bravocado 3

  • Kingdoms of the Radio: Don’t Poke the Bear (Pt. 2) [ficção]

     “So there we were, at the Canadian border, five of us in a van crammed with instruments and two pounds of the best Humboldt County weed you could imagine,” Cole entertained a captive audience of very stoned fans with tales of adventure and debauchery on the road. “Chalky was the one driving as he hadn’t come on to the acid yet, and we were hoping to make it to Vancouver before he did.”

    Watching Cole from the corner of the dimly lit room through all the hash smoke, cigarette haze, and bullshit, sat a raven-haired 17-year-old with the unlikely appellation, Raenbeaux Starr. Blessed with an unerring sixth sense for trouble, Rosenda watched the girl watch from the opposite side of the room.

    “As soon as we drove up to the booth and the Mountie was giving Chalky the treatment, you know, ‘Where are you going in Canada? How long do you plan to stay? All of that—our fucking bass player lost his hold on reality. He lunged up between the front seats and starting raving and growling, “I’m a monster!”

    Caught up in pantomiming his story, Cole was oblivious to the girl staring a hole into the side of his face.

    “Now, Canadians have a very dry sense of humor,” Cole continued. “The Mountie simply looked at our bassist and asked, ‘Are you carrying any fruits or veg?’ It was all we could do not to just dissolve into maniacal laughter. Somehow, we got waved through and made it far enough down the road so that we could pull over and lose it. I actually pissed myself I was laughing so hard.”

    Rosenda noticed that while most of the assorted hangers-on were laughing at Cole’s story, the young girl in the corner had never shifted her gaze. She was, however, moving closer to the star, carrying with her a massive lit joint.

    The nymphean creature sidled up to Cole and took a huge hit before shotgunning the pungent smoke into his mouth, sensuously brushing his lips with her own. The crowd reacted with a mix of encouragement and bemusement, sparking Rosenda to question the act.

    “What?” she sputtered, the heady atmosphere in the room taking a toll on her faculties. “What’s wrong with that?”

    One of the heads that was sitting cross-legged under a massive purple batik mandala spoke up. “Oh, it’s groovy. It’s just that Raenbeaux’s trip is Angel Dust. You know, PCP? Your man there is gonna be engaged for the next few hours.

    “God damn it!” Rosenda raged. “You fucking idiots, I’m going to lose my job!”

    Back out on the curb, Shane’s thoughts had turned briefly toward wondering what he was going to do about dinner when the front door of the old house slammed open, straining the natural arc of its hinges. A totally nude and raving Lucious Cole took the wooden stairs three-at-a-time and took off down the middle of Webster, an enraged Rosenda in hot pursuit.

    “Bear, just don’t sit, there,” she panted, her legs furiously working her leather pumps in a futile attempt to overtake the flying Cole. “Catch him!”

    Shane took a second to take stock of the situation and then leapt into action. Stepping out of the Lincoln, it took several seconds for the uncharacteristically tall Irish-American to completely unfold his body, but when he did, he loomed in the throw of the streetlight like a pale, fire-topped menhir, or Celtic standing stone.

    “Cole!” he bellowed, his resonant baritone rattling the Navy glass in the loose window frames of the houses. “Not that way, mate! There be dragons!”

    The pinwheel-eyed rock star spun on his bleeding heels and headed straight for the driver who promptly clotheslined him, dropping him to the street.

    “I didn’t say kill him!” Rosenda gasped while catching up to both Cole and her breath.

    Shane quietly took stock of the situation and tossed the gasping woman the keys to the Lincoln’s vast trunk. “Get the rope.”

    “What? You can’t…”

    “Look, Karoline, do you want this guy around or not? In about 60 seconds, he is going to be up and back to playing Johnny-on-the-go. I don’t feel like driving around all night looking for him. Get me the rope.”

    Rosenda didn’t argue any further but retrieved a skein of yellow nylon cord. She began to ask why Shane carried rope, but immediately thought better of it. Besides, she was about to find out.

    With a weary grunt, Bear knelt down next to the unconscious Cole and placed one knee in his back while looping the rope around his wrists. With a deftness that suggested Bear might have either had some experience with animal husbandry or BDSM, he had the rock star hogtied so that no matter what superhuman strength he may temporarily possess; the man was going nowhere.

    “Hey,” a voice called out from the Victorian’s porch where a ragtag crowd had spilled out. “You can’t do that, man! That man has rights!”

    Bear chose to ignore the complaints and focused on wrestling the inert star into the backseat of the Lincoln.

    “Fascist!”

    That turned out to be the wrong tact to take with the former boxer. Although he had been too young to get drawn into the War, Shane had brothers that risked their lives to beat back the tide of extremism in Europe.

    Without saying a word, Shane gently shut the rear suicide door and walked around the front of the car. Once on the sidewalk, the streetlight threw his shadow across the entire front of the house, casting a pall on whatever meager protests were forthcoming.

    “Who said that?” He bellowed.

    “Hey man, you can’t just…” one of the heads started an objection and quickly ran out of steam as Shane stepped up.

    “So it was you?” He loomed.

    The wispy-bearded young man couldn’t have been a hundred and forty pounds soaking wet, but answered the big man’s question without too much tremor in his voice.

    “Yea, it was me… Man.”

    Shane took the young man’s measure as even the traffic on nearby Haight St. seemed to quiet down for once.

    “Good for you,” he finally spoke. “You should always stand up for those who can’t stand up for themselves. That’s what my brothers went to Europe and got their asses shot full of Nazi lead for. I applaud that sentiment, but in this instance, I promise you, your concerns are misplaced.”

    His reassurances delivered, Shane turned and walked back to the car, leaving the group on the porch speechless.

    “What are we going to do with him?” Rosenda asked, getting into the Lincoln’s passenger side.

    “We are going to sit on him until he gets his shit together. I know just the place.”

    “You really clocked him,” she said, peering at Cole over the headrest.

    “That’s why I get the big bucks,” Shane half-joked, while tied up on the backseat, an Englishman far from home dreamt of Elysian Fields.

    Follow the story:
    Kingdoms of the Radio: Serafina’s Gift
    Kingdoms of the Radio: Charlie Perigo 1
    Kingdoms of the Radio: Zongo Kumalo 1
    Kingdoms of the Radio: Karoline Rosenda 1
    Kingdoms of the Radio: Zongo Meets The Stick
    Kingdoms of the Radio: Ride a Painted Pony
    Kingdoms of the Radio: Fadeout (Rock Hound Magazine, 1970)
    Kingdoms of the Radio: Tibetan Bells & a Bird from Hell
    Kingdoms of the Radio: Enrique Bravocado 1

    Kingdoms of the Radio: Zongo Khumalo 2
    Kingdoms of the Radio: Karoline Rosenda 2
    Kingdoms of the Radio: Enrique Bravocado 2
    Kingdoms of the Radio: Don’t Poke the Bear (Pt. 1)

  • Kingdoms of the Radio: Don’t Poke the Bear (Pt. 1) [ficção]

    The black ’65 Lincoln Continental idled at the curb of the decrepit Victorian on Webster St. in the Lower Haight. Dry weeds reached out from a parched patch of dirt as if straining to see their sorry reflection in the perfectly polished chrome hubcaps. The driver, an Irishman named Bearach Shane, just Bear to friends and enemies alike, had been in this position many times driving for Zev Avidan’s record company. Shane was a man who knew where in the City to get just about anything one could want, and what Lucious Cole wanted was trouble.

    The house was a well-established stop on the downhill slide, and many customers who Shane escorted there over the years soon dropped clear out of sight. Once in a while he would see some former young and hungry musician down in the Tenderloin walking the streets in the zombie shuffle that all junkies eventually seemed to affect; the ones that didn’t just flat out stop breathing, that is.

    Still, Shane understood the drive to match their everyday lives with the thrill and adrenaline rush of the stage. Most professional musicians lived for that hour or two or three of total connection both with their art and their admirers. Everything else, whether it was sitting on a bus, sitting on a plane, sitting backstage, or sitting at home, was unbearable drudgery. And once they were pulled into that higher state, well, you just couldn’t yank out the plug in the same way that the roadies disassembled the back line.

    Shane also understood addiction; he came from a long line of alcohol enthusiasts. That wasn’t to say that he had some horrible back story, no worse than anyone else’s back in the day, no priest or drunk uncle ever laid a hand on him. Regardless, it fell to the old neighborhood palookas to raise him up as much as anybody could, or would, take credit for.

    Shane had grown up in the fog-shrouded streets of the Sunset District, just down the street from Celestial Records, although the building wasn’t a record company back in his youth. The square, two-story cinderblock office had once been a neighborhood gym, and he had spent a lot of time in his youth, working the heavy bag and sparring in the regulation-sized ring.

    A lot of people in the neighborhood said that he could have been a Golden Gloves champion if he had stuck with it, but Bear had other, less lofty, aspirations. By the time he was in his twenties, Bear knew the intricacies of navigating the City’s streets and alleyways as well as its myriad political and racial factions. He probably could have run for a seat as a City Supervisor, and won, but as he liked to tell people who asked, he wasn’t that corrupt.

    Shane rolled down the driver side window, lit a Camel unfiltered, and checked his thinning red hair in the rear view. The one conceit he was unwilling to make to Father Time was losing the fiery tint that marked him as a mac na hÉireann, or son of Ireland. Every six weeks he slipped into the back door of a beauty salon run by a Vietnamese refugee named Rosy and chased the gray away for another month and a half.

    His one vulnerability surveyed and assuaged, Shane clicked the radio on, leaving it low so he could still hear if there was trouble afoot. The late night DJ was talking up Cole’s upcoming run of shows and his eyes automatically shifted to the house. Anybody’s money whether tha’ English fucker was going to make his gig, he mused, at the same time wondering about the feasibility of getting some action going regarding that bet.

    He knew some old school hard-asses from back home that would love to see Cole go down if only because he was the Queen’s subject. Bear was more pragmatic than that, coupled with the fact that “back home” for him was about three miles away from where he was parked; he couldn’t fault the man for where he was born.

    Plus, the poor sod was under the ol’ broad’s thumb as much as anyone, maybe more. Shane knew enough professionals to understand that once a Brit started making a decent piece of change, her taxmen sniffed it out like the rotten bulldogs they were, and they’d be lucky to have a pot left to piss in.


    Follow the story:
    Kingdoms of the Radio: Serafina’s Gift
    Kingdoms of the Radio: Charlie Perigo 1
    Kingdoms of the Radio: Zongo Kumalo 1
    Kingdoms of the Radio: Karoline Rosenda 1
    Kingdoms of the Radio: Zongo Meets The Stick
    Kingdoms of the Radio: Ride a Painted Pony
    Kingdoms of the Radio: Fadeout (Rock Hound Magazine, 1970)
    Kingdoms of the Radio: Tibetan Bells & a Bird from Hell
    Kingdoms of the Radio: Enrique Bravocado 1

    Kingdoms of the Radio: Zongo Khumalo 2
    Kingdoms of the Radio: Karoline Rosenda 2
    Kingdoms of the Radio: Enrique Bravocado 2

  • Kingdoms of the Radio: Ride a Painted Pony [ficção]

    Doing his best to relax in a hard plastic molded chair, one of countless copies in a bleak line, the man formerly known as Fred Williams waited at the airport for a Pacific Air Lines 727 to arrive from McKinleyville. Khumalo sighed and took a deep hit of the local atmosphere. Filling his lungs with cool fog tinged with the volatile high note of spent jet fuel, he knew he had made the right decision. As soon as his current business was done, he was leaving.

    Khumalo watched from the gateway windows as the baggage handlers drove their cart out onto the tarmac and began testing the viability of any American Tourister luggage like the gorilla in the recent TV commercial. He was a Samsonite man, himself, and relatively sure that what he was waiting for would arrive unscathed by any simian exuberance.

    He was actually relieved that this would be the last time he would be on the receiving end of a delivery from his people in Humboldt County. If he didn’t know everyone in the ground crews at both ends, he would never have put himself on the line. Leaving town, however, was always going to cost money. Spotting the innocuous Glacier Blue case driving away from the plane on top of the handlers’ clown car, Khumalo made his way down to the baggage carousel.

    He always got a perverse kick out of the way that one of the most frustrating and soul-sucking activities one could endure at the airport was tarted up with a circus allusion. Who doesn’t like a ride on the carousel? What goes up, must come down… if it was good enough for Blood, Sweat, and fucking Tears, then you can stand ass-to-elbows with a crowd of exhausted travelers waiting for your dirty underwear. Ride a painted pony, motherfucker.

    Khumalo had long mastered the art of invisibility at the scrum. One just had to look tired and pissed off to be there. Any energy or excitement was immediately noticed as a tell that you were either on drugs, or up to no good. Perhaps both. It was the opposite of jury duty. He had been dismissed more times than he could remember by acting stoked to be a part of it all. Number 26… fuck right off.

    Having retrieved his suitcase, Khumalo made it as far as the men’s room off of the carousel before the bindle in his boot started calling his name. It had been some time since he had a hit of medicine, and if he was going to hit the ground running, he needed a little pick-me-up.

    After the supernormal vision he experienced on the corner of Broadway and Columbus, the newly-christened Zongo had somehow made it back to his North Beach flat and slept for three days. When he finally awoke, twisted in sheets damp with the poison of sweated toxins, he untangled himself, took a shower, and hightailed it over to the Fillmore District.

    “Hello, Fred,” a spry ninety-year-old Liana Chaves answered the doorbell after Khumalo used it to play an extended solo. “Did I call you over?”

    “No, Ms. Chaves,” he fought to keep from shifting from foot-to-foot and becoming the young boy Chaves always made him feel like. Khumalo supposed that compared to the nonagenarian, he was still a boy. Hell, compared to her, he thought, he was still a fucking embryo. Still, the old gal always treated him well, and Khumalo always mustered a little extra care when asked to maintain her jewel box of a home.

    “I wanted let you know that I was thinking about going back up north for a bit. I could check in on your property while I was there if you’d still like. Maybe do some fixing up if need be.”

    “Is that right?” Chaves eyed the handyman skeptically. “And you didn’t feel that you could call me on the telephone and give me that news?” The woman didn’t reach her nineties by being anybody’s fool.

    Against his best efforts, Khumalo began to rock a little on the balls of his feet. Jesus Christ, he thought, all I need is a baseball cap to nervously twist in my hands as I ask for the damn money for the Chronicle.

    “Ah, Ms. Chaves… you see… the thing is…”

    “Get on in here,” Chaves kindly released him from the hook she had so masterfully landed in his cheek. “I’m just breaking your balls. That’s great news, Fred. The sun just might do you some good, you’re looking a little pálido.”

    You don’t know the half of it, Khumalo thought, toying with the idea of telling the woman the whole story, starting with his mystic vision of the Giant Neon Doda and how she rechristened him on the side of Broadway while sailors and drunks passed between them on their ways to their own life-changing interludes. He thought better of it.
    I’m sure the ol’ gal has seen some weird stuff in her time, he mused. Hell, she lived through two World Wars, the Roaring Twenties, the Great Depression… but a Giant Neon Doda? Forget it. That story was not going to get the keys to her pad in Mendocino.

    As Khumalo followed Chaves down the entry hall, he had to resist running a hand over the polished mahogany wainscoting. “Do you have any idea what kind of shape the place is in, Ms. Chaves?”

    “Now, Fred, if we are going to talk business,” the elderly woman spoke without turning around, continuing her bustle toward the kitchen, “we should sit down and have a cup of tea like civilized folks, don’t you think?”

    “I suppose a cup of tea wouldn’t kill me,” Khumalo spoke to the majestic gray bun meticulously piled on the back of the woman’s head. “It’s just that I know what that climate can do to a place.” Chaves ignored his comment, already having laid out how this transaction was going to go.

    Once he was sitting at the comfortable farmhouse table that dominated the kitchen, its only competition a Wedgewood gas stove where an ancient copper tea kettle was happily coming to steam, Chaves told Khumalo about the property she hadn’t seen since the turn of the century.

    “My father was a dairyman, originally from São Miguel,” she narrated over her shoulder while bustling around, opening drawers and cabinets. “Like everyone from around the world, he came to California to strike it rich but soon realized that the best way to do that was to stick to what he knew best. It didn’t take long for him to put down the gold pan and carve out a small ranch out on the Garcia.”

    “The Garcia?” Khumalo raised an eyebrow, flashing on Jerry and helplessly imagining a farm growing out of his beard.

    “The river that winds through the property,” Chaves explained. “It flows pretty heavy in the winter if there’s been a lot of rain. You’ll like it, Fred. My father used to take me with him to catch steelhead when they were running.”

    “I’m not much of an angler, ma’am,” Khumalo lamented. Chaves ignored the comment and continued her monologue unabated.

    “I turned 13 in 1900, and that’s the last time I went fishing with my father, or saw the ranch. Sugar?”

    “No, thank you, ma’am,” Khumalo reached out for the delicate cup of fragrant tea. He blew on the brew, gazing over the rim of the bone China, now fully invested in the woman’s story. “What happened? If you don’t mind me asking.”

    “Ah, tragedy, I’m afraid,” Chaves sighed. My father had business here in San Francisco and came down in the middle of a pandemic.”

    “Ma’am?” Khumalo had attended high school at Lowell out in the Parkside District and didn’t remember anything about a local pandemic from any history class.

    “The bubonic plague,” Chaves noticed the blank look on her guest’s face. “It started in Chinatown, and tore through the City, but the government denied it was happening. About the only thing good about the whole place burning down in ’06 was that it finally put paid to that whole business.”

    “Wow,” Khumalo offered, not knowing what else to say. “I’m sorry, ma’am.”

    “It’s ancient history,” Chaves sighed. “Literally. When my father died, most of us children were farmed out to relatives. A few years later, I met my husband and we moved out to the Hawaiian Islands. He was in the sugar business, you see.”


    “And you never went back?” Khumalo asked. “Not even to visit?”

    “It was a different time, Fred. Back then, living in Hawaii… you might as well have been living on the Moon. I wrote to my mother every month after I left, but when the War broke out—this would have been the first ‘war to end all wars’—they started coming back unopened. I’ve tried over the years to find out what happened to her—what happened to Girassol—but life… you’re too young to have learned this yet, but life just has a way of barreling along like a train with no brakes. You see the stops as they go whizzing by, but too soon, you just sort of stop looking out the window.”

    “Who is Girassol, Ms. Chaves?”

    “Girassol is not a ‘who,’ Fred; it’s a ‘where.’ Girassol is, or was, our ranch. It means, ‘sunflower.’ The way I remember it, the Big House makes this place look like an earthquake shack. Oh, Fred, if it still stands, you’ll be amazed at all the amazing redwood. It was built a long time before that was hard to get.”

    “So you don’t know for sure if anybody is living there… or has lived there since World War Two?” Khumalo asked, beginning to imagine the house as a total tear down, that is, if the place hadn’t already fallen into Jerry’s beard.

    “World War One, dear. And, no, I have no idea; the deed came to me anonymously. How’s your tea, Fred?”

    Khumalo took a sip from the delicate cup and sat back in the woman’s overstuffed chair lost in thought.

    “Delicious.”

    Follow the story:
    Kingdoms of the Radio: Serafina’s Gift
    Kingdoms of the Radio: Charlie Perigo 1
    Kingdoms of the Radio: Zongo Kumalo 1
    Kingdoms of the Radio: Karoline Rosenda 1
    Kingdoms of the Radio: Zongo Meets The Stick

  • Put on This Record: Blows Against the Empire—Paul Kantner and Jefferson Starship [1970]

    Credited to Paul Kantner and Jefferson Starship before there was such a thing, Blows Against the Empire remains one of my all-time favorite albums, the centerpiece to the Planet Earth Rock ’n’ Roll Orchestra (PERRO) experience, itself a loose (very loose) confederation of Bay Area musicians that cross-pollinated David Crosby’s masterful If I Could Only Remember My Name, as well as Grateful Dead guitarist Jerry Garcia’s first solo project, Garcia, the first eponymous Graham Nash/David Crosby record, and Nash’s own Songs for Beginners.

    If that heady company doesn’t given you an idea of what’s going on here, Kantner provides some insightful notes along with the 2005 remastered Legacy release. By the end of the ’60s, Kantner’s band Jefferson Airplane had begun to come apart at the seams. After recording their seminal album, Volunteers, in 1969 and watching as the hippie dream was beaten to death with pool cues by the Hells Angels at Altamont, the center could not hold.

    Jorma Kaukonen and Jack Casady had recently become more interested in their side project, Hot Tuna, and Marty Balin, perhaps tired of being arrested and/or punched in the head for a while, had disappeared—leaving Kantner to indulge his space fantasies at Wally Heider’s Studio in San Francisco’s Tenderloin district. That’s where the story gets interesting.

    Kantner soon enlisted Grace Slick to help him sketch out some demos for the next Airplane album. According to Kantner’s notes, Slick had been really influenced by the playing of pianofighter-for-hire Nicky Hopkins on Volunteers. Slick’s rhythmic and dramatic grand piano work on Blows Against the Empire help to give the album a cohesive, timeless feel.

    Also wandering in and out of Heider’s at the time were various members of CSN, the Grateful Dead, Quicksilver Messenger Service, and Santana, as well as Jorma’s brother Peter Kaukonen, and Electric Flag bassist Harvey Brooks. Casady later joined the ad-hock group and added his heavier-than-God bass playing (most notably to Slick’s vocal tour de force, Sunrise).

    The new remastering job sounds fantastic, but beware: there is a very disappointing glitch four minutes into the first track, Mau Mau (Amerikon). I have to admit it took listening to the whole album three times in a row to notice it. The upside is that the record sounds so good that I was inspired to listen to it three times in row. Kantner’s dense lyrics helped hide the problem, as I often find myself drifting and riding the groove rather than hanging on every word. It’s a shame that an obnoxious digital goof mars such a great work of art.

    The good news is the bonus tracks help make it well worth upgrading your copy. The “original” version of Let’s Go Together has been restored to the running order whereas the alternate version that had been strangely slipped into the first CD offering is now a bonus track. Kanter’s question “Shall I go off and away to South America? / Shall I put out in my ships to the sea?” owe more to Crosby, Stills, and Kantner’s original vision of escape captured in the Airplane/CSN song, Wooden Ships, and it makes more sense in context of Kantner’s space opera for him to ask “Shall I go off and away to bright Andromeda?”

    Slick’s acoustic demo of Sunrise proves that it is her amazing voice and not the myriad of overdubs that bring on the chills whenever I hear that song. SFX is Garcia and Mickey Hart goofing with musique concrete in much the same way as what became X-M on the album and Spidergawd on Garcia.

    The final track is a live version of Starship from the Fillmore West later that year, although it sounds like latter-day Airplane, the notes don’t reveal what confederation is responsible. The Airplane would drift back together the next year for the uneven but shamefully out-of-print Bark, and hold together for one last primal hurrah, Long John Silver in 1972.

    To paraphrase Hunter S. Thompson, this is the high water mark where the crest of a beautiful wave broke and began to roll back.

    Go to the forest and move.

  • Poetry as Insurgent Art—Lawrence Ferlinghetti

    If any man alive can be still held responsible for the Beat movement and/or the poetry renaissance of the ’50s and ’60s, it is San Francisco poet and City Lights Booksellers & Publishers co-founder Lawrence Ferlinghetti. He was there from the very beginning, helping to create a scene in the Italian North Beach neighborhood that reverberated to this day.

    It was the publishing arm of City Lights that propelled East Coast writers such as Allen Ginsburg and Gregory Corso, as well as San Franciscans like Kenneth Rexroth and Ferlinghetti himself, into the national spotlight. The landmark Howl obscenity trial, sparked after San Francisco police seized the City Lights paperback, won more notoriety for what Ginsburg and friends were up to than any lame spot-the-beatnik tours could have ever brought to bear.

    The bibliographical note to this slim volume, Ferlinghetti’s own Ars Poetica, marks it as an on-going work in progress starting as a KPFA broadcast in the late ’50s. The main body of Poetry as Insurgent Art reads almost like a collection of daily affirmations, ranging from practical advice to writers, “If you call yourself a poet, don’t just sit there. Poetry is not a sedentary occupation, not a ‘take your seat’ practice. Stand up and let them have it,” to more philosophical and sensual musings such as, “Be a dark barker before the tents of existence,” and “Instead of trying to escape reality, plunge into the flesh of the world.”

    Some of Ferlinghetti’s aphorisms seem antithetical to a movement that worshiped the idea of Jack Kerouac spontaneously writing On the Road on a continuous roll of Teletype paper. Advice like, “Cultivate dissidence and critical thinking. First thought may be worst thought,” places him outside of the spur-of-the-moment crowd.

    Of course, Ferlinghetti always argued that he was never a “Beat,” but was rather a bohemian, sort of a proto-Beat, if you will. In her 2004 book, Bohemian Manifesto: A Field Guide to Living on the Edge, Laren Stover breaks down the evolution of bohemianism into five branches: Nouveau, Gypsy, Beat, Zen, and Dandy, any number and combination of which can still be found slouching around the City wherever hipsters congregate, leading to possibly my favorite of his bits of wisdom, “Stash your sell-phone and be here now.”

    The book veers into more abstract attempts to answer the burning question of What is Poetry? some of which bear the brand of the modern world, such as, “Poems are e-mails from the unknown beyond cyberspace.” ’Erm… why do I get the feeling that one may not make the cut in a future edition? Others are timeless, “It is private solitude made public,” psychedelic, “Poetry is Van Gogh’s ear echoing with all the blood of the world,” religious, “It is the street talk of angels and devils—It is made by dissolving halos in oceans of sound,” and, last-but-not-least, political, “The idea of poetry as an arm of class war disturbs the sleep of those who do not wish to be disturbed in the pursuit of happiness.”

    It takes him a while to get around to it, but toward the end of the book lies possibly the best definition of poetry I have ever read. “Poetry is making something out of nothing, and it can be about nothing and still mean something.”

    Ferlinghetti certainly knows what he’s talking about, and although the man is gone now, we’re truly lucky to still have his words around.

    New Directions